Ibn al-Sa'igh (Abd al-Rahman ibn Yusuf), calligrapher

ابن الصائغ (عبد الرحمن بن يوسف)

between 1441 and 1442 CE · 845 AH

Cairo

Well-known Mamluk calligrapher (d. 845/1441–2), author of a treatise on calligraphy, who in 801/1398–9 penned the largest surviving Mamluk Qur'an 'with one pen in sixty days' 1.

Depth

At a glance

Roles
calligrapher · writer
Era
The Crusades, Ayyubids and Mamluks
Region
Egypt & Nile

Life in time

135013751400142514501475150015251550 c. c.
The Crusades, Ayyubids and Mamluks · The Gunpowder Empires · The Mongol and Post-Mongol Era Contemporaries: Izz al-Din Abd al-Aziz ibn Muhammad al-Wafa'i · Abd al-Baqi Yazdi · 'Abd al-Haqq al-Sunbati · Abd al-Rahman al-Tha'alibi · Taj al-Din 'Abd al-Wahhab ibn 'Arabshah

In space

Cairo

Map: Natural Earth, public domain · places and route from the graph

Arts of the book

Summary

Abd al-Rahman ibn Yusuf, known as Ibn al-Sa'igh, was a well-known calligrapher of the Mamluk period who died in 845/1441–2. He wrote a treatise on calligraphy and copied several Qur'an manuscripts in different scripts, among them one in naskh dated Shawwal 813/January–February 1411 for the library of Faris al-Saqi al-Khazindar, an official of Sultan Faraj ibn Barquq, and another in Cairo dated 814/1411–12. 1 2

The great Qur'an

His best-known work is a single-volume Qur'an transcribed in muhaqqaq in 801/1398–9 for Muhammad ibn Batut al-Salihi al-Dimishqi, whose colophon says it was written "with one pen in sixty days". It is the largest Qur'an known to have been made for the Mamluks, on sheets over a metre high, slightly larger than full-baghdadi size, with eleven lines of large muhaqqaq per page and sura titles in thuluth rather than the stylised kufic usual at the time. Like its Timurid contemporary it attests to the triumph of calligraphy over illumination: the main ornaments are gold circles between the verses. 1 3 2

Judging his hand

Blair compares it with the even larger contemporary Timurid Qur'an and finds the anonymous Timurid hand smoother and more fluid, Ibn al-Sa'igh's bumpier and looser: his verticals sometimes wiggle or taper, some strokes do not connect, his vocalisation is larger and heavier, his serifs rounder. She explains the difference in size by paper technology: full-baghdadi sheets were the limit of traditional dipped moulds, which give paper smooth enough to write on both sides, whereas the Timurids probably used floating moulds for their enormous sheets. 2

Connections

Explore the connections

Lived in
Cairo
Exemplifies
Muhaqqaq script

People and things also explored

The "Anonymous Baghdad Qur'an" (707 AH/1307–8)· Seven-part Qur'an of Baybars al-Jashankir· Ibn al-Wahid (Sharaf al-Din Muhammad ibn Sharif)· Al-Azhar Mosque· Bab al-Futuh, Cairo· Bab al-Nasr, Cairo· Bab Zuwayla, Cairo· Joseph's Well (Bir Yusuf), Cairo Citadel

Sources

  1. Sheila S. Blair, Islamic Calligraphy (Edinburgh: Edinburgh University Press, 2006) , p. 363
  2. Sheila S. Blair, Islamic Calligraphy (Edinburgh: Edinburgh University Press, 2006) , p. 365
  3. Sheila S. Blair, Islamic Calligraphy (Edinburgh: Edinburgh University Press, 2006) , p. 364
Cite this page

islam.museum contributors. “Ibn al-Sa'igh (Abd al-Rahman ibn Yusuf), calligrapher”. islam.museum, https://islam.museum/en/person/ibn-al-sayigh-calligrapher/. CC BY-SA 4.0. Last updated 2026-11-04.

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People

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Related

The "Anonymous Baghdad Qur'an" (707 AH/1307–8)

A large thirty-part Qur'an made at Baghdad in 707 AH/1307–8 CE under the Ilkhanids, written by Ahmad ibn al-Suhrawardi, pupil of Yaqut, and illuminated by Muhammad ibn Aybak ibn Abdallah; possibly commissioned by the ruler or one of his viziers.