Aseel Hameem

أصيل هميم

Baghdad

Iraqi singer born in Baghdad in 1984, the daughter of the musician Karim Hameem. She turned professional at twenty-two after competing in the Arab Stars programme on MBC 1, has released dozens of solo and joint songs in several Arabic dialects and sung the theme songs of many television series, and her 2019 song 'Ser Alhayah' became the most streamed song on YouTube by a female Arab artist.

Depth

At a glance

Roles
musician · Artist
Region
Levant & Iraq
Review

Life in time

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The Colonial Era · The Contemporary Era · The Modern Era Contemporaries: Abbas-Ali Amid Zanjani · Abbas Kiarostami · Abd al-Aziz al-Ghumari · Abd al-Fattah Abu Ghudda · Abd al-Rahman Badawi

In space

Baghdad

Map: Natural Earth, public domain · places and route from the graph

Place in the story

    Unknown (unknown)

    Roles are dated and sourced; the museum describes the act and attributes the judgement.

    Summary

    Aseel Karim Hameem is an Iraqi singer, born in Baghdad on 6 October 1984, the daughter of the musician Karim Hameem. She started her professional career at the age of twenty-two and has released dozens of solo and joint songs in several Arabic dialects, besides singing the theme songs of many television series; her 2019 song "Ser Alhayah" became the most streamed song on YouTube by a female Arab artist. 1 2

    Life and career

    She was born in Baghdad; the English article specifies Adhamiyah as her birthplace. Her father, Karim Hameem, is a musician who taught and guided her, and her aunt is the broadcaster Suhair al-Qaisi. 1 2

    She was a contestant in the Arab Stars programme (Arabic: نجوم العرب) on MBC 1 with the Arab Mashreq team, and released her first solo song, "Balani Zemani", shortly afterwards. The Arabic article adds that she had a song of her own, "Radhi bi-Ta'dhibi", in the album "Rashed and His Loved Ones", with lyrics by the Emirati poet Masha'er Dubai and music by the Emirati Fayez al-Saeed. She has since released songs in different Arabic dialects. 1 2

    The Arabic article reports that she married the businessman Bakr al-Shahabi at a ceremony held in Erbil, in the Kurdistan Region of Iraq, on 12 December 2024, and that her husband has no connection to the artistic world. 2

    Work

    Her solo and joint songs include "Balani Zemani", "Atali3 Bel3eon" and "Atrekni A7obak" with Ma'moun al-Nattah, "Qahar" with Ahmed al-Hermi, "Ya Hala" with Walid al-Shami, "Hawa Baghdad" with Nusrat al-Badr, "Almafroth" (2019), "Enta Al Saadah", "Enta Kolshay", "Zorouf" and "Yeshbahak Galbi" (2020), "Ehfaz Shakli", "Loqyak" and "Shkad Helw" (2021), and "Eii Enta" (2022). 1 2

    Her song "Ser Alhayah" (2019) was, as the English article reports from Arabsounds in August 2020, the most streamed song on YouTube by a female Arab artist, with more than 255 million views at that date. 1

    She has voiced the theme songs of many television series, among them Shara Alnufus (2008), Banat Sokar Banat (2011), Akoon Aw La (2012), Tawali Al-Lail (2013), Hawa Baghdad, Ahly W Nasy and Kan Khaled (2019), Tigris and Euphrates (2021), and Almas Maksoor and Raheeq (2022). 1 2

    Connections

    Explore the connections

    Born in
    Baghdad

    People and things also explored

    The Nizamiyya Madrasa of Baghdad· Bayt al-Hikma — the House of Wisdom· The 'Adudi Bimaristan· al-Bimaristan al-Muqtadiri· Bimaristan al-Sayyida· Dar al-'Ilm of Baghdad (Sabur's library)· The Jami' al-Qati'a of Baghdad· The mosque of Qati'at Umm Ja'far

    Sources

    1. Aseel Hameem — English Wikipedia
    2. Aseel Hameem — Arabic Wikipedia
    Cite this page

    islam.museum contributors. “Aseel Hameem”. islam.museum, https://islam.museum/en/person/aseel-hameem/. CC BY-SA 4.0. Last updated 2026-10-26.

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    Related

    The Nizamiyya Madrasa of Baghdad

    The Nizamiyya of Baghdad, first and most famous of the madrasas founded by the vizier Nizam al-Mulk al-Tusi: building began in 457 and sisters rose at Nishapur, Isfahan, Herat, Basra, Mosul and Amid; the Imam al-Haramayn al-Juwayni then Abu Ishaq al-Shirazi taught in it, and it mothered the Sunni institutional model that the later madrasas of Baghdad followed — the caliphs prayed there and Nizam al-Mulk himself visited to inspect its library.