At a glance
- Roles
- Scholar
- Region
- Americas & Oceania
Summary
Milo Cleveland Beach is the author of The Grand Mogul: Imperial Painting in India 1600–1660, the catalogue of the exhibition organised by the Sterling and Francine Clark Art Institute, Williamstown, in 1978, with contributions by Stuart Cary Welch and Glenn D. Lowry. 1 2
Approach
His preface records a grant to examine paintings in London and Tehran and help in reading inscriptions, and acknowledges Stuart Cary Welch's information and visual judgement. 3 He sees the exploration of naturalism between about 1600 and 1660 as the central achievement of Mughal painting, and closes the book with "a personal view" of it. 4 5
People and things also explored
Abbasid tin-glazed ware· Ahmadnagar painting· Proportional script and the six pens (al-aqlam al-sitta)· Arabesque· Bijapur painting· Broken cursive (New Style)· Deccani painting· Divani script
Sources
- Milo Cleveland Beach, The Grand Mogul: Imperial Painting in India 1600–1660 (Williamstown, Mass.: Sterling and Francine Clark Art Institute, 1978) , p. 3
- Milo Cleveland Beach, The Grand Mogul: Imperial Painting in India 1600–1660 (Williamstown, Mass.: Sterling and Francine Clark Art Institute, 1978) , p. 4
- Milo Cleveland Beach, The Grand Mogul: Imperial Painting in India 1600–1660 (Williamstown, Mass.: Sterling and Francine Clark Art Institute, 1978) , p. 9
- Milo Cleveland Beach, The Grand Mogul: Imperial Painting in India 1600–1660 (Williamstown, Mass.: Sterling and Francine Clark Art Institute, 1978) , p. 5
- Milo Cleveland Beach, The Grand Mogul: Imperial Painting in India 1600–1660 (Williamstown, Mass.: Sterling and Francine Clark Art Institute, 1978) , p. 18
Cite this page
islam.museum contributors. “Milo Cleveland Beach”. islam.museum, https://islam.museum/en/person/milo-cleveland-beach/. CC BY-SA 4.0. Last updated 2026-11-04.
Improve this page on GitHub · Report an error · Help complete it · JSON