Shikasta script

Made Objects Words

خط الشكسته

A Persian script whose name means "broken", developed in Iran after the sixteenth century; it links normally unjoined letters so a word can be written in one stroke — the Persian equivalent of shorthand — and gave rise to shikasta-nasta'liq for edicts and letters 1 2 3.

Depth

At a glance

Region
Persia & Central Asia

Arts of the book

Summary

Shikasta, "broken", originated and developed in Iran after the sixteenth century, according to Maryam Ekhtiar. Like ta'liq it contains unconventional ligatures between letters that do not traditionally connect, and so suited speed: a skilled calligrapher could complete a word in one stroke without lifting the pen. She calls it the Persian equivalent of shorthand, prizing irregularity and movement over horizontal regularity, with undulating words and lines set at various angles. 1 2 With shikasta-nasta'liq, the tughra and divani, it is among the scripts that arose in Iran and Ottoman Turkey for administration, some of them purposely hard to read so that a message reached only a few. 1

Examples

The Met holds a letter in shikasta dated 1176 AH/1763 CE by Abd al-Majid Taliqani, one of its great masters: eight lines, six written diagonally and two horizontally at the bottom, with words sloping up and stacking at line ends. 4 It also holds an edict of Muhammad Shah Qajar (r. 1834–48) in shikasta-nasta'liq, a script used only for edicts and letters; each line sits in a cloud-shaped cartouche on gold leaf, and the last words of each line stack and slope upward as in divani. 3

Connections

Explore the connections

Exemplified by
Abd al-Majid Taliqani· Darayat Khan (Abdallah), calligrapher· Kifayat Khan (Muhammad Ja'far Khan), calligrapher· Muhammad Shafi' Haravi (Shafi'a)

People and things also explored

Darayat Khan (Abdallah), calligrapher· Kifayat Khan (Muhammad Ja'far Khan), calligrapher· Abd al-Majid Taliqani· Aurangzeb (Alamgir I)· Morteza Qoli Khan Shamlu· Muhammad Shafi' Haravi (Shafi'a)· هراة· Abbasid tin-glazed ware

Sources

  1. Maryam D. Ekhtiar, How to Read Islamic Calligraphy (New York: The Metropolitan Museum of Art, 2018) , p. 26
  2. Maryam D. Ekhtiar, How to Read Islamic Calligraphy (New York: The Metropolitan Museum of Art, 2018) , p. 27
  3. Maryam D. Ekhtiar, How to Read Islamic Calligraphy (New York: The Metropolitan Museum of Art, 2018) , p. 47
  4. Maryam D. Ekhtiar, How to Read Islamic Calligraphy (New York: The Metropolitan Museum of Art, 2018) , p. 49
Cite this page

islam.museum contributors. “Shikasta script”. islam.museum, https://islam.museum/en/concept/shikasta-script/. CC BY-SA 4.0. Last updated 2026-11-04.

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Related

Darayat Khan (Abdallah), calligrapher

Mughal calligrapher, son of Kifayat Khan, who learned shikasta from his father and then devised a manner of his own called 'Darayat Khani'; masters of the art agree that he surpassed his father.