Black on white ware (Khurasan and Transoxiana)

Objects Made

الخزف الأسود على الأبيض

Ware decorated in black alone on a white engobe under a clear lead glaze, first known from Afrasiyab and also made at Nishapur, used in the cities of the eastern Islamic lands from the ninth to the eleventh century 1 2.

Depth

At a glance

Region
Persia & Central Asia

Cities

Summary

Black on white ware is the third of the three largest groups of glazed earthenware at Nishapur: decorated in black only on a white engobe and covered with a clear, usually colourless lead glaze. 1 Wilkinson counts it among the most attractive Nishapur wares, the clarity of its simple, lively designs striking the eye after the confusion of colour and scratched lines in colour-splashed ware. 1

Discovery and distribution

Modern knowledge of it began at the end of the nineteenth century, when it was found in quantity in Transoxiana: fragments from Afrasiyab were given to the Victoria and Albert Museum in 1898, and the Berlin museum acquired a large collection of sherds and wasters in 1906, proving manufacture at Afrasiyab. 1 It has also been found at Tashkent, Gurgan, Merv and Lashkari Bazar, showing its use in all the important cities of the eastern Islamic lands from the ninth century to the eleventh. 1 Wasters at Nishapur show it was made there; some pieces carry designs unlike those of other centres, while others seem imported. 2

Making

The Nishapur body is usually reddish; the engobe normally covers the whole vessel including the base, applied so thickly that the glaze cannot bond with the body, so that glaze and engobe often flake off together. 2 Wilkinson notes that pieces with a pure white engobe and a colourless glaze also excel in potting and decoration, showing that the whiteness was sought. 2 Arabic inscriptions in many forms dominate its decoration, including letters with large triangular or foliated heads. 3

Connections

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Practiced in
Nishapur

People and things also explored

Alkaline-glazed ware and its moulds· Chinese wares in the early Islamic world· Colour-splashed ware· Monochrome glazed ware (Nishapur)· Buff ware (Nishapur)· Opaque white ware· Opaque yellow ware· Polychrome on white ware (Nishapur)

Sources

  1. Charles K. Wilkinson, Nishapur: Pottery of the Early Islamic Period (New York: The Metropolitan Museum of Art, 1973) , p. 132
  2. Charles K. Wilkinson, Nishapur: Pottery of the Early Islamic Period (New York: The Metropolitan Museum of Art, 1973) , p. 133
  3. Charles K. Wilkinson, Nishapur: Pottery of the Early Islamic Period (New York: The Metropolitan Museum of Art, 1973) , p. 172
Cite this page

islam.museum contributors. “Black on white ware (Khurasan and Transoxiana)”. islam.museum, https://islam.museum/en/concept/black-on-white-ware/. CC BY-SA 4.0. Last updated 2026-11-04.

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Related

Alkaline-glazed ware and its moulds

A new ware made at Nishapur after the Samanid period, with a white, gritty, hard body of ground quartz and an alkaline glaze, painted directly on the body and moulded thin; its typical colours were light blue and cobalt dark blue.